In the eye of the beholder

A few years ago, while walking through the Radcliffe Quad, Dr. D. and I saw several piles of what seemed to be building or gardening supplies—earth and various kinds, sizes, and colors of gravel. We assumed a modest project was about to begin. But then we noticed a sign with the title and creator of what, it turned out, was an art installation.
It became a joke. We started noticing “art installations” everywhere—a quarry, a nursery, a building site. Who knew there was so much public art to be seen?
But then the joke turned a little. Why not an art installation? With all the hurrying and busyness, the thousand daily annoyances, worries, to-do’s, and random distractions, why not pause and take a different look at things we usually don’t give a second glance? A pile of rocks, their shapes random as a John Cage composition. A heap of dirt or a stack of bricks on their way to becoming a garden or a walkway. On their way to being transformed by effort and imagination.
I’ve seen art installations in parks that seem to tell us something like this—a field of feathers, a tiny doorway at the base of a tree, a group of sculpted ants picnicking beside the Muddy River—pointing to a new, unexpected way to see what surrounds us. Prodding g us not to let our assumptions or our busyness dull us to the possibility that there could be wonders to see around us.
And this, too–isn’t this what we do with all our heaped-up moments—try to shape them into something worth noticing?
Thank you, Radcliffe Quad and that art installation.


–>